Let’s Get Lyrical: RAP QUEEN EP



RAP QUEEN EP is streaming everywhere! | Up Style Records


Radio Stevie shares the stories behind each track on the RAP QUEEN EP.


On Yas Queen, I started writing with a lot of anger, and I knew the beat would have to have some roughness to it. As I kept writing, it became a stream of consciousness of so many things that I was feeling at the time and still feel. But, I didn’t want to make a sad song or an angry protest song. I still wanted it to fit the theme of celebration and the Up Style vibe, so I took all that anger and made it a reminder that despite everything going on, I’m still here and I have a lot to offer creatively and I have a lot to be proud of too. Self-love is important and sometimes with so much negativity in the world, it can be hard to feel good about yourself. Especially when you’re black and queer. But, I’m here, I’m queer, and I’m ill. OK? YAAAAAS QUEEEEEN!


I wrote Lucy about 5 years ago at a time where I probably wrote an entire album’s worth of synth-heavy tunes that were much darker in tone, but still lyrically light and playful. Depeche Mode is my favorite band ever and I love that era in music, which is why synths are very present across this EP. Also, as a writer, I love telling stories and creating characters. Lucy, is a mystery party girl who takes us to the next part of the EP, which is all party focused tracks. I hope to do a full record, full of characters and dark synths in the future.


Recording in Brazil, I started to get worried that I wasn’t making music that would connect to the audience here. Folks would come in the studio and get down to all the tracks we were working on, but I could tell I needed something that really spoke to the people here. So, we started working on a song that focused on production, presented elements of Brazilian music, featured a familiar voice and is lyrically easy for people to understand. When I heard Aira Ocrespo’s music with Flavya, I was like, let’s get him on this record! He and Flavya gave it that extra special Brazilian touch the EP needed and we got to really play with the production. The end of the song is really hypnotizing and that was super fun to create.


BOYS/GIRLS is the track that started it all. I wrote the lyrics after a night during pre-Carnaval with some drag performers. We were at a “bloco,” which are street parties leading up to the big Carnaval celebration, and they were planning some promo for their upcoming bloco in the Centro area of Sao Paulo. They slayed the shoot, and the party was super fun! Centro is one of my favorite neighborhoods in Sao Paulo. Brazilian Carnaval is an experience everyone should have. Seriously. Not just for the parties, but for the culture. With samba being at the core of the celebration — It doesn’t get any better!

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It’s official! Radio Stevie is here! Here is the video clip for the first single from the upcoming Rap Queen EP, which is available December 2, 2016, on Up Style Records. 

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Music was written & performed by Radio Stevie (Stephen J. Grant)
Music produced by DJ FlavYa
Music mixed & mastered by Carlos Hernandez
Video production by Bruno Sandini
Styling by OKAN Benin

Who is Radio Stevie?


Radio Stevie is a rapper, singer, songwriter. “Rap Queen,” his debut EP is produced by DJ Flavya, an emerging Brazilian-American DJ, and producer from New York City. The bass music EP was recorded at Haze Studio in São Paulo, Brazil, where both DJ Flavya and Radio Stevie now call home. The EP is in stores now on Up Style Records. This is Radio Stevie’s story, in his own words.  

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As long as I can remember I have been a musical person. My brother and I are very close and growing up we’ve always found music to be more important than anything else. As children, we would bang on shoeboxes and tin cans and pretend they were drums and freestyle songs. We eventually learned to record and layer our voices on Karaoke machines and starting writing to instrumentals from single cassettes we owned. We created an entire universe of imaginary artists so that we could have a range of styles to work from and made up a pretend radio station to play our own recordings alongside real artists. This is what we always wanted to do.

I eventually started rapping because I liked writing R&B songs and I felt that some of the songs needed a rap, so I would just do it. I’m a child of the ’90s era when rap and R&B were booming on the radio and I became inspired by how incredibly the genres mixed. The more I wrote rhymes, the more it became natural for me to rap and flow. By high school and college, I was rapping and bootleg recording with friends all the time. Making collections of songs became my journal and the place where I felt the most honest with myself. I’ve sung things to my computer that I have never told anyone, so it feels good to finally explore my musical mind outside of the 4 walls of my room and to build something from the bottom up.


Musically, I am an R&B and pop kid. My biggest influences are pop icons like Michael Jackson and Beyonce. I am also a huge Depeche Mode fan and I love ’80s music. I listened to hip-hop and rap as a kid, but sometimes it didn’t always reflect my personality, so I learned to appreciate other sounds like jam music, downtempo, jazz, and electronic music. I think my love for many genres changes my approach to what a rapper is and can be. I rap because I can and because it is just another way to creatively use my words to express myself, which I believe is my true calling in life. I think before I am a rapper, I am a writer.

When it comes to writing music I am mostly inspired by whatever is going on around me and that can include people I spend time with, movies, books, nature, you name it. Sometimes my lyrics are direct instances of things happening in my own life or the world, and sometimes they are just things I see in my mind. I don’t really have one particular style. Sometimes I am playful and fun, other times I am serious, and sometimes I am fictional. I live in my head, so you never know what you’ll get with me.




I moved to São Paulo, Brazil from New Haven, Connecticut, nearly 2 years ago with my husband, who is from Brazil, and with excitement for a fresh start. However, months leading up to the big move I started privately panicking about what would be next for me. Although I consider myself to be a go with the flow kind of guy, I also like structure and planning. Moving to a new country with no idea of what I would be doing really freaked me out.

When I arrived, I tried to continue my work in communications by grabbing freelance jobs with websites that had an interest in Brazil. But when freelance projects stopped coming in I started to realize that I should try my hand at things I’ve always wanted to do but was too afraid to take the risk. Once I made that realization, creative projects starting pouring out of me. I wrote the book I’ve always wanted to make loosely based on a past version of myself, and shortly after I made a documentary featuring black lives in São Paulo.

Eventually, I became friends with music folks both local and international down here. Before I knew it, I was in and out of the studio sharing lyrics and songs that I have been creating for years. I also started to get a close look at how Brazilians create down here and the many styles that make up Brazilian music. Now, I’m finishing up my first EP with DJ Flavya and the music journey I have prepared my whole life for is beginning. I am still sometimes in shock by all that is happening musically.

São Paulo has been very good for my creativity and personal growth. I feared the word artist, but moving here has pushed me to fully embrace that title and what I believe is art. I will forever be grateful to Brazil for this experience and for giving me space, both mentally and physically to take creative risks. Everything about this place inspires me. Brazil is a beautiful country full of rich culture and passionate people. Creatively, the people here have been very open and welcoming to my creativity and I can’t stress enough how much this place has inspired me.



RAP QUEEN is a bass music EP that incorporates various sounds in electronic music from synthpop to trap music. Recording with DJ Flavya has been so much fun and I thank her so much for pushing me to be an artist. I have always found comfort in being a behind the scenes kind of guy. To me, I see art as a very emotional experience and I am a private guy, so to meet someone that genuinely feels inspired and excited by my lyrics and ideas has been incredible. Then, to build upon those ideas together and to watch them turn into something really awesome, and to see other people enjoying it is what makes this project so special to me.

I started writing RAP QUEEN at the beginning of the year during Brazil’s Carnival, which is a time of year when everyone is in the streets, full of life and celebrating culture. I wanted this record to feel like a celebration. RAP QUEEN is about representation, freedom, and the joy in both of those things. Lyrically, I want to amplify and add to the conversations that rappers such as Angel Haze, Le1f, Mykki Blanco, and countless others have started. Like those before me, I want to challenge what we can talk about in rap music. Our voices are necessary and with the title of this EP I wanted to make it clear that I am not going to put up a facade for the sake of what others feel rap should be. If the words queen and queer make people uninterested, or uncomfortable, that’s on them. But, I can only be myself.

IMG_0580bRecording with DJ Flavya in São Paulo, we were both inspired by sounds and rhythms here. While there are plenty of sounds to Brazil, one that owns the night is baile funk, and producers here are doing really creative things with that genre. I wanted to incorporate elements of this sound on the record to connect with a Brazilian audience, so we starting thinking of artists to work with. Then, it just so happened that Flavya started producing music for Airá Ocrespo, an artist from Rio de Janeiro. When I heard what they were doing together I knew he was the one to represent for Brazil on 1 track on the EP. Plus, he’s a street artist, and when I arrived in São Paulo, street art became my map to the city and at times great history lessons. It felt right to mix our sounds together and I think we created something for everyone. The rest of the EP continues the theme of bass music blending trap, synthpop, disco, and hip-hop rhythms with my lyrics focusing on everything from important social issues to drag queens and fictional characters. We really meshed it all together into a cohesive project that I’m super proud of. I think there is something for all music lovers in this EP. I am eager to share my perspective and to share this blend of sounds with all those that are ready to listen. This moment has been years in the making and it is time to finally let Radio Stevie loose! This is only the beginning.

  • RAP QUEEN EP is in stores now on all major digital platforms.
  • The Prelude mixtape series featuring Radio Stevie & DJ Flavya reworks & remixes begins in October, with exclusive Soundcloud tracks leading up to the official Radio Stevie EP release.



While my debut EP RAP QUEEN is undergoing the mixing and mastering process, I am happy to announce that I have been invited to join a jazz band from São Paulo, Brazil called Superjazz for a special performance. Taking place at the elegant Bar de Cima in the Jardim Paulista neighborhood in São Paulo, I’ll be joining the band for two selections including a unique rendition of the Goldie classic, “Inner City Life” and “Searching” by Roy Ayers. Check out the short clip above to get a look into the rehearsals.

Stay up to date with the Radio Stevie music journey by following me on Facebook, Twitter, and Instagram. Or, simply follow this site!

My debut EP RAP QUEEN produced by DJ Flavya arrives in November

Learn more about RAP QUEEN here.